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What the Fake Syria Sniper Boy Video Tell Us About Media “Experts” (& HRW)

NEO – New Eastern Outlook

November 27, 2014

by Maram Susli

“Instead of humbly accepting blame for spreading disinformation, many western journalists and their experts reacted by blaming the producer of the film. The collective rage of the entire mainstream media forced the film’s producer to delete any trace of this 30,000 dollar experiment.”

 

Media Caught in a lie Syria

Many mainstream media websites helped a fake video go viral this month. The video showing a young Syrian boy running through sniper fire to save a little girl, was exposed as a fake when the Norwegian producer Lars Klevberg made the fact public. One of the stated aims of the Norwegian film makers was to “see how the media would respond to a fake video.” This article examines how that experiment went.

The western press very quickly accepted the video as real and used it to support the US administration’s narrative on Syria. Many top US news sources began to spread the story. Even though the producer said he explicitly added big hints that the video was fake, like the children surviving multiple gun shots.

Propagating false stories on Syria, is nothing new for the western press. In the lead up to the conflict many stories were exposed as frauds, such as the Anti-government activist “Gay Girl in Damascus” which turned out to be a middle-aged American man in Scotland. Syrian Danny Abdul Dayem which was frequently interviewed by CNN was using fake gun fire and flames in his interviews.

The fake sniper video wasn’t enough to support US government narratives by itself, as the now deleted original upload didn’t suggest the identity of the snipers. So the west’s media suggested that it was Syrian military snipers that were targeting the children without any evidence. Journalists failed to mention how they reached the conclusion that an actor in Malta was shot by the Syrian military. It may be that the western press is quick to trust pro-rebel sources, as the video was uploaded by the pro-rebel Sham Times along with their own twist.

The Guardian’s headline for the video was “Syrian boy ‘saves girl from army sniper’” and the Telegraph delicately suggested the Syrian military was responsible for the fake bullets. The International Business (IB) times stated, “the snipers, who reportedly are said to be the government forces loyal to Syrian President Bashar al-Assad.” IB Times never explicitly mentioned who reported this information. They then took it a step further and concluded the article with “the incident certainly is not the first time that Pro-Assad gunmen have targeted children”. Well it is at least not the first time the mainstream media has presented false reports as fact. In 2012, CNN claimed a bullet that killed a four year old girl in Aleppo was shot by government snipers even whilst admitting the bullet came from rebel held buildings.

Other journalists took to Twitter to make unfounded claims about army snipers targeting the boy. Vinnie O’Dowd who has done work for Channel 4 and Al Jazeera tweeted “Syrian Regime Targets kids. Liz Sly of the Washington Post tweeted incredulously that “Soldiers kept shooting” at children.

These tweets were inline with an official State Department Twitter account @ThinkAgain_DOS which blamed Assad for the fictitious bullets in the film. This casts doubt on how deeply the US administration scrutinizes information it bases it’s policy on. In 2013 they relied heavily on video footage provided by rebels to support its planned attack on Syria in the wake the Ghouta chemical attack.

Scrutinising the Scrutinisers (Experts)

1But it isn’t just the mainstream media that was easily duped by the convenient propaganda film. The video experts that were asked to scrutinise the video, failed to recognise that the video was a fraud. The Telegraph stated that upon enquiry ‘experts told them they had no reason to doubt that the video is real”. International Business Times went a step further spinning the statement to “experts told The Telegraph that they have no doubts on the authenticity of the footage.”

This is very strange since both children in the film walk away after being directly and repeatedly hit by bullets. The creators of the film said he purposely scripted this as a big hint that the video is fake. The lack of scrutiny the media experts employed suggests incompetence or the same level of bias as the media that employs them .

Heather Saul of the Independent wrote that one of the ‘Middle East experts” she showed the video to was from Human Rights Watch. Indeed, Human Rights Watch European Media Director Andrew Stroehlein, showed no doubt on the authenticity of the film when he tweeted it out to his followers. The New York based human rights organisation is not new at tweeting false information, last month they used an image of the Odessa fire, where US-backed militia’s burned thirty two people to death, as an example of ‘Putin’s repressive policies’. In 2008 Venezuela expelled two HRW staff members accused of “anti-state activities” after producing a report against the Chavez government. Guardian journalist Hugh O’Shaughnessy accused HRW of using false and misleading information in the report, as well as pro-Washington bias. In 2009 HRW received financial donations from the Saudi government which may, in part, explain the anti-Syrian slant.

11HRW employed so called video expert Eliot Higgins and his colleague Daniel Kaszeta to investigate the August 21 chemical attack in Ghouta, and quickly reached the conclusion the Syrian government was behind the attack. Daniel Kaszeta was referred to as a fraud by prominent physicist and MIT Professor Theodore Postol. HRW’s CEO Kenneth Roth recently used a report by Eliot Higgins to make unfounded claims about Ukrainian rebels shooting down Malaysian flight MH17. Heather Saul did not respond to questions on whether Eliot Higgins was one of the expert she asked for advice. However the mainstream media’s most often quoted video expert, did not recognise that the video was a fraud, tweeting cautiously that he wasn’t sure if it was authentic but gave the video a reaction non the less.

However many viewers who aren’t referred to as video or Middle East experts, immediately recognised the video was a fraud and flooded social media sites Twitter and Youtube with doubts on its authenticity. If Heather Saul had used these individuals as experts rather than HRW, she would have reached the correct conclusion about the video. But perhaps it is this unbias eye that the mainstream media avoids. The vast majority of Higgin’s conclusions support US government narratives and agendas, and that’s the kind of bias the mainstream media prefers.

Blaming the Producer

Instead of humbly accepting blame for spreading disinformation, many western journalists and their experts reacted by blaming the producer of the film. The collective rage of the entire mainstream media forced the film’s producer to delete any trace of this 30,000 dollar experiment. Some journalists took to Twitter to express their rage at being exposed as easily duped by convenient propaganda.

The experts that were fooled by the video also strongly protested. HRW posted a complaint that the fake video “eroded the public trust in war reporting’, in other words blind trust in HRW analysis and war propaganda. Eliot Higgins posted an open letter to the producer of the film on his website Bellingcat, condemning the film.

GlobalPost referred to the film as ‘irresponsible and dangerous’ but not because it could be used to promote wars and make false accusations. What the real danger to the mainstream media and their experts seems to be, is that as a result of the films exposure as a fraud, future video claims may now have to be properly scrutinized and the public may not be so unquestioning in future. However it is the journalists’ lack of scrutiny that is truly what is irresponsible and dangerous. Had the director not admitted the film was fake, these journalists more than likely would have kept promoting the story as an example of Syrian Army war crimes.

 

[Maram Susli also known as “Syrian Girl,” is an activist-journalist and social commentator covering Syria and the wider topic of geopolitics. especially for the online magazineNew Eastern Outlook”.]

Faking It: Charity Communications in the Firing Line [Purpose (Avaaz) | SYRIA]

Further Reading: SYRIA: Avaaz, Purpose & the Art of Selling Hate for Empire

Duckrabbit

November 21, 2014

by Benjamin Chesterton

Purpose Avaaz Syria-Campaign-HIRE

‘Truth is the first casualty of war’.

So the saying goes.

It’s always been that way.

Leading up to and then during the first world war citizens were fed a series of lies, usually centred around atrocities committed by the ‘enemy’ as governments prepared to unleash hell on the world:

As one British general pointed out after the war: “to make armies go on killing one another it is necessary to invent lies about the enemy”. These atrocity stories were then fed to newspapers who were quite willing to publish them. British newspapers accused German soldiers of a series of crimes including: gouging out the eyes of civilians, cutting off the hands of teenage boys, raping and sexually mutilating women, giving children hand grenades to play with, bayoneting babies and the crucifixion of captured soldiers. Wythe Williams, who worked for the New York Times, investigated some of these stories and reported “that none of the rumours of wanton killings and torture could be verified.”

The outcome of all this lying was that after the war citizens became more savvy, less trusting of overt propaganda. Newspapers were weary of the most extreme propaganda that didn’t come with evidence and  when TV came into popular existence broadcasters signed up to the principle that their reporting should be impartial.  The public developed a false sense of comfort that it was harder for people to lie to us and get away with it.

Along came the internet and with a it a massive proliferation in both the amount of material published and also who could do the publishing. The internet is a propagandists paradise:

  • Social media means that well constructed propaganda can spread faster than Road Runner on steroids.
  • Newspapers looking to profit are less interested in verifying whether massively popular videos are fake then they are in the page views they bring.
  • But propagandists don’t have it all their own way. When a video/picture/article  is published on-line that is in some way fake before too long someone will be shouting about it in the comments section.

Here’s what I mean:

A week ago a friend shared a video by The Syria Campaign on his Facebook page. The video starts with the words:

‘What you are about to see is shocking. This happened this week in Syria’

The film shows a boy being shot, then heroically  getting up and rescuing a girl, whilst still being shot at. You can see it here.  

The Syria Campaign’s version of this film has been shared several hundred times and has over 10000 views. The original version of the film, which was not made by The Syria Campaign, was first posted to  Youtube and  had over 4.1 million views. The film  has been shared widely by newspaper websites (Daily Mail, Telegraph, Independent) who in the first instance showed no interest in verifying whether the video was real. The Telegraph embedded the film and included this commentary

The Telegraph cannot independently verify the footage but it is thought the incident took place in Yabroud – a town near the Lebanese border which was the last stronghold of the moderate Free Syrian Army. Experts tell the paper they have no reason to doubt its authenticity.

At the end of the film The Syria Campaign asked us to share the story and sign a petition. This was my response to them on November 11th

Fake Syrian Video Purpose Avaaz

Apart from the too clear sound, the obvious special effects and the movie staging, you don’t fall forwards like you’re in a Hollywood movie when shot, then get up unbloodied and keep walking. Despite this three days later the BBC was reporting that the film might well be legitimate.

In an interview Amira Galal from BBC monitoring Middle East  said “we can definitely say it is Syria and we can definitely say that it’s probably on the regime frontlines, was almost certainly shot on the front lines in Syria…I think it would be very difficult to give a definitive opinion about whether it’s fake or not.”

Ten hours later the BBC put out another story stating that the film was indeed a fake, made by Lars Klevberg, a 34 year-old film director based in Oslo. He says he deliberately presented the film as reality in order to generate a discussion about children in conflict zones:

“We shot it in Malta in May this year on a set that was used for other famous movies like Troy and Gladiator,” Klevberg said. “The little boy and girl are professional actors from Malta. The voices in the background are Syrian refugees living in Malta … By publishing a clip that could appear to be authentic we hoped to take advantage of a tool that’s often used in war; make a video that claims to be real. We wanted to see if the film would get attention and spur debate, first and foremost about children and war. We also wanted to see how the media would respond to such a video.”

Pretty soon afterwards the story that the film is fake became the most shared article on the BBC website. In a further twist the Youtube channel (Shaam News Network) on which the video went viral has been suspended.

What interests me most is when and how some NGO campaigns reached the point where they are willing to trick people  in order to get them to sign a petition/get behind a cause?

syria

What is the validity of a petition signed by people under false pretences?

Surely The Syria Campaign not only loses any moral authority it might have gained through its important work but also torpedoes their own objectives by seeking signatures this way?

The Syria Campaign gave me this response before the video was outed as fake:

‘As far as we’re concerned, the video depicts experiences that are real. Though the video hasn’t yet been verified, we know incidents like this occur every day.’

In other words kids are getting shot in Syria so what difference does it make if this is fake but it makes you think about all the awful things that are going on over there?

The Syria Campaign continues to share the video, despite protests such as this.

This strategy of bending the truth to fit your cause is well trod. Afterall it’s what we often do when we debate a subject.  I would go as far as to say not only is it acceptable, to a greater or lesser extent, but it’s expected.

Here are a few extreme examples:

Several years ago a well respected advocacy organisation put out a video of a woman (shot in shadow) calling for the Syrian soldiers to put down their weapons. The video appeared embedded on a UK newspapers website, with the accompanying text that the film was the direct plea of a Syrian mother and was shot inside Syria.

Infact the video was shot in London; a second woman’s voice with a more authentic accent was dubbed over the original woman’s voice and the script was not written by a Syrian mother but an American living in Beirut.  Pure propaganda. At roughly the same time this video was released the founder of the advocacy group gave a high profile interview in which he stated  they were playing a ‘verification’ role for citizen media coming out of Syria.

Recently Oxfam ran an online ebola campaign on Facebook using a picture of an MSF medical worker, taken in one of their clinics,  helping a child:

oxfam

 

The backlash in the comments was swift and severe.

Oxfam realised their mistake, put out a sincere statement apologising and eventually took down the offending post.

I appreciated Oxfam’s response and it made me have more respect for them. It wasn’t the first time something similar has happened though. A few years back Save The Children ran a print advert calling for donations that featured a picture of a half dead child being cared for in a an MSF hospital in Dadaab, Kenya. Had they published the picture in the same way on their Facebook page I suspect they would have faced a similar backlash.

(Please note duckrabbit have worked for and trained the staff of both Oxfam and MSF. I’ve witnessed  the terrific work they both do on the ground. A donation to either of them is well spent)

Another large charity recently ran a fundraising campaign which showed a successful generic African woman whose family they claimed they had helped climb out of poverty. It was a conceptually interesting TV advert but it wasn’t a winner as a fundraiser. So when the same woman appeared in online advertising we were asked to give money to help bring her and her family out of poverty. The same ethnic woman was presented to audiences in diametrically opposite ways to try and have the same impact, raise more money.

Maybe we should be forgiving of charities, PR and advertising agencies, advocacy organisations and journalists who fake (or twist) stories to get our attention. Do audiences really care? Doesn’t the end justify the means? This is certainly how some people responded to the suggestion that it was wrong to fake the Syrian boy hero. Maybe they are right. If the Oxfam post raised much needed cash for the fight against ebola isn’t that a good thing?

But I think it’s also true you are less likely to change your point of view if you feel the person trying to persuade you is in some way deceiving you.  There’s a failure in communication if we are talking about whether a video is fake as opposed to the suffering of the people in Syria or the 1800 kids that are not actors who have been shot dead during the war.

And one question leads to another. If you are really helping people; if your cause is just; if you want an honest relationship with me, why do you feel the need to make stuff up?

One possible reason that NGO’s pump out so much overt marketing propaganda is because there is more of a budget for spin then authentic storytelling.

In NGOS often the marketing and fundraising departments have more money and power than the communications teams.  They are judged on short term goals that largely revolve around growth of revenue and brand reach. The pressure is immense. People’s jobs are dependent on them bringing the cash in. Very few of these people will have ever lived or worked in the places the charities are set up to benefit.  This is even more true in the agencies that they contract who belong to the Band Aid school of advertising:

Make shit up (There is no peace and joy in west Africa this Christmas). Put a famous face (or 30) to it , and screw the unintended consequences (we maintain a colonial relationship with black people who live in poverty).

The better communications departments  in charities are themselves masters in spin because newspapers and broadcasters are so susceptible to it. If you want to get the media’s attention just make up a figure about how many kids might be catching ebola a week by Christmas. The higher the number the better, even if it’s based on tenuous research.

I don’t blame them.  It’s a game and if you pay me I too will play it to win. But not by faking it.  And not because it can’t be justified, but because I’m not cynical. The charities we work with have a very positive impact on the lives of the people they serve. The sector as a whole just needs to invest in better ways to tell those stories of change.

 

West’s Propaganda War on Syria Exposed Again

Land Destroyer

November 15, 2014

 By Tony Cartalucci

 

Video claiming to show a Syrian boy rescuing a girl amid heavy gunfire lauded as heroic chronicle of resistance now revealed as 100% fraud – filmed in Malta. Just one of many lies perpetuated by Western media.

 

http://syria360.files.wordpress.com/2014/11/014dc-1415708602361_wps_3_amateur_video_which_was_p.jpg?w=594
Image by the Western media as authentic or “believed to be” authentic, when in
reality being a complete, 100% fraudulent production.

Fox, the London Telegraph, and the Daily Mail all published articles promoting a video claiming to show a Syrian boy rescuing a young girl amid heavy gunfire during Syria’s ongoing conflict. The Daily Mail article claimed under its titled, “Heroic young boy runs through sniper fire in Syria, pretends to get shot, then rescues terrrified girl as bullets hit the floor around them,” that:

Yabroud was the last rebel stronghold held by the FSA on the Lebanese border before it fell to Assad’s forces in March 2014.

The video, which was uploaded yesterday, has already had nearly 500,000 views.

It was later re-published on YouTube by Sham News Network, which is run by activists based in Damascus.

Several YouTube comments claim the video is fake, but experts told The Telegraph they have no reason to doubt its authenticity.

The Telegraph, referenced by the Daily Mail, in an article titled, “Watch: Syrian ‘hero boy’ appears to brave sniper fire to rescue terrified girl in dramatic video,” would claim:

The Telegraph cannot independently verify the footage but it is thought the incident took place in Yabroud – a town near the Lebanese border which was the last stronghold of the moderate Free Syrian Army. Experts tell the paper they have no reason to doubt its authenticity. 

It would not be the first time gunmen had targeted children in the nearly four years of bloody civil war. 

More than 11,000 children have died in war-torn Syria since 2011, including hundreds targeted by snipers, a report by the London-based Oxford Research group revealed earlier this month. 

The group found that sniper fire killed 389 Syrian children under the age of 17 between March 2011 and August 2013. 

The UN has previously accused the Syrian regime of “crimes against humanity” – including the use of snipers against small children.

Nowhere does the Telegraph claim “experts” of any kind believed the video was authentic. Instead, what the Telegraph did was engage in the same intentionally misleading, manipulative propaganda much of the Western media has resorted to in its coverage of the Syrian conflict, and many others, for years – cite a baseless, unverified claim – then roll it in together with other baseless claims so that they appear to support one another as factual.

While the Daily Mail claims “experts” claimed “they have no reason to doubt its authenticity,” those who have witnessed the West’s intentional, systematic deceit throughout the duration of the Syrian conflict could cite many reasons. With it now confirmed that the above mentioned video is a hoax, yet another reason still can be cited.

Indeed, the video was a complete hoax – a literal production filmed in Malta, not Syria, and consisting of actors, actresses, and special effects. The UK Mirror in its article, “Footage of Syrian ‘hero boy’ dodging sniper’s bullets to save girl revealed as FAKE,” would finally admit:

Lars Klevberg, 34, from Oslo, devised the hoax after watching news coverage of the troubles in Syria. 

He told BBC Trending: “If I could make a film and pretend it was real, people would share it and react with hope. 

“We shot it in Malta in May this year on a set that was used for other famous movies like Troy and Gladiator. 

“The little boy and girl are professional actors from Malta. The voices in the background are Syrian refugees living in Malta.”

Not the First Time

Klevberg admits that “Syrian refugees living in Malta” participated in his propaganda stunt. This is far from the first time the West and its proxies have been caught blatantly producing false reports, footage, and claims regarding the Syrian conflict. In fact, the Western media’s coverage of the Syrian conflict is nothing more than a series of deceptions crutching their way along on their audience’s perceived ignorance, from one exposed sham to another.


Image: Meet “Gay Girl in Damascus.” Not a “gay girl,” not from or in
“Damascus.” Instead, she was a he, and he was an American man living in
the UK.

During the beginning of the Syrian conflict in 2011, there was “Gay Girl in Damascus” who turned out to be a 40 year-old American man based in the UK. It is exactly “activist-based” footage, claims, and alleged personalities that the West has based its case against the Syrian government on.

There was also “Syria Danny,” a regular guest on CNN’s Anderson Cooper 360 until he was caught blatantly staging chaos off-camera ahead of a scheduled call-in.

Now, yet more staged videos, fabricated claims, and accusations are making their rounds – and being exposed – at yet another critical juncture during the Syrian conflict – with terrorist strongholds falling to the Syrian government and the West’s “Islamic State” rouse falling apart.

It is important that each of these fabrications, hoaxes, and staged productions are mentioned, again and again, when next the West parades out unverified claims it attempts to resell its narrative and agenda with. It is also critical to understand why exactly many in the general public continue to place their trust in media enterprises that continuously and now quite overtly, deceive the public.

The Blankest Canvas: On Art, Opportunism, Erasure & Whiteness

Anti Social Media

October 7, 2014

rauschwhitepainting51h15

“An empty canvas is full.” – Robert Rauschenberg

 

1951 was a big fucking year for whiteness. The United States, the last scion of both Western Imperialism and the white supremacy at its core, would finally fight to a stalemate on the Korean Peninsula – beating back both the Red Menace and the new “yellow peril” to the 38th parallel. But threats to the fragile reign of white supremacy’s new champion abounded.

At home, The Man From Planet X  opened in US theaters, dramatizing the collective fear of an alien invasion that would grip white Amerikkka and menace its lily-white, Enid Elliot-like daughters for the remainder of 1951 and beyond. That white panic on the big screen, however, found two real world targets – rabble-rousing commies and the black people they had allegedly duped to serve their alien agenda.

The “Second Red Scare,” already raging in 1951, was weaponized by the House UnAmerican Activities Committee, which launched its second investigation into Hollywood. Back then, “blacklists” weren’t just empty threats on Twitter made by intentional nobodies, but a reality imposed by power that threatened the livelihoods of some of our best artists. The year also saw Julius and Ethel Rosenberg tried, convicted and eventually executed for espionage. The “traitorous and disloyal” outside agitators the US was fighting in Korea, it seemed, would have to be fought at home, too.

White Supremacy, as always, reserved its most brazen terror for black people. 1951 was no different. Despite a valiant campaign led by Communist William L. Patterson, the grandson of a slave who had himself famously been arrested protesting the execution of Sacco & Vanzetti, seven black men were executed for raping a white woman in Martinsville, Virginia. Willie McGee, another black man railroaded on charges of raping a white woman, was also executed that year in Mississippi.

In Florida, Lake County Sheriff Willis McCall exercised his right to white vigilantism and summarily executed one black man and critically wounded another who were being transferred for reprosecution after their “Groveland” rape convictions were overturned by the US Supreme Court. Harry and Harriette Moore, who had organized for the NAACP in Florida and had boldly demanded charges be brought against Sheriff McCall for his crimes, were killed weeks later in a bombing at their own home that was never solved. This is, of course, why racist rumors started by a white woman that reduce a political opponent to a menacing black man isn’t a game, but that’s another story…

Ironically, the number one Billboard song of 1951 was “Too Young,” sung by Nat King Cole. Seriously. A black crooner singing about young love that others wouldn’t understand, while black men were being killed for looking at white women – that was the song on top of the charts. To end a year like that, then, could it have surprised anyone when Paul Robeson and William Patterson submitted a document called “We Charge Genocide” to the United Nations?

At last, in lesser-but-still-big-all-encompassing-whiteness news from 1951, Bette Nesmith Graham invented correction fluid in her own kitchen, making it easier for typists everywhere to “white out” their mistakes.  After all, whiteness adores erasure. Remember that. And while a dying Ludwig Wittgenstein wrote his Remarks on Colour, the coup de grâce to 1951 and its triumphant whiteness emerged when a pretentious asshole named Robert Rauschenberg began his White Paintings. Because, why the fuck not?

 

—–

 

Robert Rauschenberg was an insufferable, Neo Dadaist asshole. Neo Dadaists, it should be noted, are the folks who made us question not “what is art,” but rather, “are these fucking assholes joking?” In but one of many examples of his legendary assholery, when commissioned to do a portrait of Iris Clert, Raueschenberg instead sent a telegram that read “This is a portrait of Iris Clert if I say so.” He was that kind of precious asshole – the kind of precious asshole who inspired generations of other assholes to struggle to use a can opener to open a can of spaghetti-o’s in a room full of other precious assholes and then piss oneself, and then boldly call it “high art.” The kind of precious asshole who would inspire Yoko Ono to whitewash a chess set and uncritically title her racist work “Play It By Trust.”

As an asshole, Raueschenberg was surrounded by other, similarly-inclined assholes. Assholes tend to attract other assholes, it seems. His asshole friend, John Cage, “composed” the famous “4’33” – which is just four minutes and 33 seconds of utter fucking silence. The blank canvas, creating nothing but a void where anything could be projected (even a politics), was now itself considered substantive and important “art.”

Rauschenberg and his coterie, in short, clearly presaged today’s trolls. And I’m glad he’s dead. I wish he’d died sooner, before his brand of utter and irredeemable, detached cynicism became as popular as it is today – because this airy, unaffected distance is, of course, a pure manifestation of privilege, be it racial, class or otherwise.

In Creative Tyranny, Rob Horning explains how many artists often reveal their real class allegiance:

“Because artists, unlike wage laborers, have a direct stake in what they produce and face no workplace discipline other than what they impose on themselves, their political attitudes are structurally different from those of the working class, who know they are interchangeable parts in the machine of capitalism and must organize collectively to resist it. ;“The predominant character’” of the contemporary art scene, on the other hand, ‘“is middle class,’” Davis contends, referring not to a particular income or earning potential but rather to artists’ relation to their labor. Artists work for themselves, own what they make, and must concern themselves with how to sell it. Though art has often made a mission of shocking middlebrow taste and artists have often congregated in urban Bohemian enclaves in working-class neighborhoods, they are less vanguard proletarians than petit bourgeois.”

 

So it was that in 1951, a few years before taking a nod from Bette Nesmith Graham, erasing a drawing by Willem de Kooning and calling that erasure itself “art” – Rauschenberg set off on perhaps his most famous act of trolling, his White Paintings. What had started as a joke between above-it-all, petit bourgeois art school buddies – when actually taken seriously outside of their insular bubble – soon became serious art. It then had to be retroactively justified when it had really just been a joke.

Of course, it’s important to say that Rauschenberg’s White Paintings can’t rightly be called mere “blank canvasses.” They’re actually paint on canvas. But they’re painted monochromatically white in such a way as to reveal nothing. They are the nothing. They aren’t a state of blankness, of emptiness – they are the essence of whiteness – the void-of-anything space that must consume everything around it in order to give itself any meaning at all. Nothingness has to appropriate to have anything, which is what whiteness itself tends to do, isn’t it? Indeed, as Raueschenberg himself observed, “an empty canvas is full.”

—–

weev_small


“If you’re going to do something as passionate and idealistic as be a full time artist, you need to be the toughest, most cynical, most opportunistic street fighter around.”Molly Crabapple

 

“Artists are eager to identify themselves with—and even lay claim to—efforts like the Occupy movement, but their involvement, Davis argues, muddles protest and derails organizational efforts more often than not… But because artists are celebrated by capital for their seeming independence from it, they are liable to become confused about the social role they play. They think being above wage labor gives them automatic solidarity with those who want to abolish it. They think they are fellow travelers when really they are running dogs.” – Rob Horning, Creative Tyranny

In July, Emma Quangel explored The Weaponized Naked Girl, where she observed that Molly Crabapple is a self-described mercenary entrepreneur and former naked girl who seemed to earn her credentials on reporting the topic of Syrian “revolution” by way of her being an unofficial spokeswoman and artist for Occupy Wall Street.” To be sure, the fact that Molly Crabapple was once a burlesque dancer is the least interesting thing about her, to me. I’m far more concerned with the role she continues to play as a mercenary for White Supremacy. Again, in her own words, I’m more interested in her success as both an opportunist and a cynic.

In his recent offering at The New Inquiry, The White Women of Empire, which echoes many of the concerns raised in July by Quangel, Willie Osterweil poses a stark but important question: “what happens when the white woman is the protagonist of the imperialist story?” Osterweil elaborates:

“It is clear that the helpless and/or metonymic white woman of imperial fantasy will no longer do. The historical victories of feminism have forced empire to interpolate (mostly white) women as its agents as well as its objects.”

It’s apparently easy for some folks to continue to ignore Crabapple’s expressed, imperial politics – her repeated role as Osterweil’s “agent” of empire. However, from Syria to Venezuela, Crabapple – promoted as a reliable, political commentator after Occupy Wall Street – has consistently articulated a politics that serve the white supremacist power structure and its inheritor, US neocolonialism. Erasing an actual fucking Nazi’s misogynistic past is actually a part of her art. She has made the supremacist, eugenics argument herself, Beauty is survival, not distraction. Beauty is a way of fighting. Beauty is a reason to fight.”

Even before writing her paean to an avowed, white supremacist, the cynical, opportunistic and – by her own admission – “mercenary” Molly Crabapple had regularly oriented her politics to the unequivocated service of white power. Crabapple, then, has proven her art is anything but a blank canvas; instead, she has repeatedly espoused a politics that – like Rauschenberg’s White Paintings – are actually canvases slathered in whiteness. Her work isn’t emptiness, it is whiteness.

It’s actually my job as a white revolutionary race traitor, in constant struggle, precisely to criticize that. Always. To struggle with it. To destroy it. And I won’t apologize for it. As Maya Angelou said, “When someone shows you who they are believe them; the first time.” I believe Molly Crabapple is the petit bourgeois, “cynical,” “opportunistic” and “mercenary” white supremacist she herself says she is. No artistic flourish, no flair and certainly no vacuous, repeatedly-self-repudiated revolutionary gesturing can change that. After all, we have previously discussed – at some length – that liberals are fully capable of performing in revolutionary hats and that anyone can and will serve Nazis, for the right price.

Yet people continue to misapprehend whiteness and their own complicity in it. As Tamara K. Nopper observed in The White Anti-Racist Is an Oxymoron: An Open Letter to “White Anti-Racists”:

 

“people such as Malcolm X, W.E.B. DuBois, Marcus Garvey, James Baldwin, Toni Morrison, Ida B. Wells, Sojourner Truth, Frederick Douglass, and many, many others who are perhaps less famous, have articulated the relationship between whiteness and domination…

 

Further, people such as Douglass and DuBois began to outline how whiteness is a social and political construct that emphasizes the domination, authority, and perceived humanity of those who are racialized as white. They, along with many other non-white writers and orators, have pointed to the fact that it was the bodies who were able to be racialized as “white” that were able to be viewed as rational, authoritative, and deserving.”

 

Nopper, perhaps presaging Molly Crabapple’s racialized whiteness and service to white supremacy itself, continues:

 

Don’t assume that when I see you get the attention and accolades and the book deals and the speaking engagements that this does not hurt me (because you profit off of pain).

 

Also, vis-a-vis Crabapple’s claim of proximity to whiteness – and to the authority whiteness itself conveys – I think it’s important to consider an amazing contribution by my comrade, Chris Taylor, who – in Whiteness Supreme: Towson University and Liberal Ironists – reminded us:

 

“Whiteness is a property, a possession, one unevenly distributed across the social terrain. White supremacists tend to have diminished access to the supreme property of whiteness. White supremacy is thus an aspirational politics, one that attempts sticking close to what it imperfectly is in order to become what it should be.”

 

How does Crabapple use her art to stake a claim to the authority vested in whiteness? In her most recent work, Scenes from Daily Life in the de Facto Capital of ISIS published yesterday in Vanity Fair, Crabapple inserts herself as the authority and interlocutor between her audience and a Syrian’s own experience and art. This is gatekeeping, plain and simple. After all, although Crabapple’s claim that “art evades censorship” may be true, it doesn’t seem to evade her editorializing. After all, Crabapple’s is “extremely editorial art” that “no one could look at…” and “not know what side [she is] on.” Whiteness. Empire. If the “who do you protect/who do you serve” chant so often levied at the police were levied at Molly Crabapple, we should know the answer.

If there is still doubt, then we should examine her famous work whitewashing Weev, a vile misogynist and avowed white supremacist, who Crabapple herself “cared for” so much so she wrote a lengthy hagiography about. And as any propagandist might, from Leni Riefenstahl to Shepherd Fairey, she went further and  “created an icon” of her “weevil one.”

What would Molly Crabapple say of Robert Rauschenberg, who joked with his Neo Dadaist buddies and trolled the art world, for his antediluvian “lulz?” Would she misjudge “sincere belief as trolling?” Would she think his White Paintings meant more than mere emptiness? Could she see the whiteness in them? Would she acknowledge that whiteness itself is domination, and that unexamined proximity to whiteness itself is what makes being friends with an actual fucking Nazi possible? I have a lot of questions, but Molly Crabapple isn’t interested in talking about anything that makes her uncomfortable. And I guess that’s her right. But it sure isn’t very revolutionary.

“Quinn Norton once advised me to write about what I loved,” Crabapple wrote. And she, who so loved empire and its foundational white supremacy (or the money and fame it afforded her), wrote words that flattered it, and urged us – as eugenicists often do – to “fight for beauty.” As many mercenaries before her, Crabapple has identified that she lives in a time when artists are brand bots, obediently self-plagiarizing from their last success“ and that journalism often feels like vampirism.” But it doesn’t have to be this way. It is this way because of whiteness itself.

We have an opportunity to have art that doesn’t reinscribe white supremacy and other ruling class values. We have an opportunity to communicate directly with each other, without intermediaries like Molly Crabapple – who refashion photos from Syria and reimagine them for us. Who editorialize them for us. We could see photos from Syria ourselves. We could hear stories from Syrians ourselves. We don’t need better intermediaries who may prove themselves so tempted by lucre and committed to brand management that, in their endless pursuit of being “New Yorker respectable. Museum of Modern Art respectable,” they paternalistically make an actual Nazi respectable for us.

However, if we insist on replicating power structures here – among them, in this space, white supremacy – we will lose. We have lost. And that’s why criticism of our faves matters, I guess. Because earnest criticism isn’t “trolling,” no matter what the white women of empire say.

—–

“When asked by an anthropologist what the Indians called America before the white man came, an Indian said simply, ‘Ours.’”‘ – Vine Deloria, Jr

The power of terministic control is a monopoly on the naming of things maintained by power. For example, as Paulo Freire wrote in Pedagogy of the Oppressed, “there would be no oppressed had there been no prior situation of violence to establish their subjugation.” However, power, particularly in the discourse on public demonstrations against it, often makes a point to discern when “protests became violent.” The fact is, protests “become violent” whenever the armed enforcers of the state’s monopoly on violence – the police – arrive. Their presence itself is the violence that created and maintains an oppressed class. Terministic control, then, is what allows power to say otherwise.

Take the word, “trolling.” Crabapple has asserted that she mistook Weev’s retrograde, supremacist politics for mere “trolling,” or insincerity. As if insincere fascism is acceptable. Crabapple has also derided her critics as “trolls.” Does she think I am likewise insincere? Maybe, but consider that instead I have sincere complaints about her service to white supremacy. The naming of things, and controlling how those words take meaning, is terministic control. Crabapple, as an artist working under a pseudonym, knows more about this than she lets on.

One aspect of liberation has historically been seen as wresting back control over the power to name things, particularly oneself; to identify oneself instead of being identified. According to Nation of Islam leader Elijah Muhammad in Message to the Black Man in America, if a black man doesn’t assert that power, he has “never gotten out of the shackles of slavery. [He is] still in them.” From the US Organization, the BPP and BLA’s eschewing of “slave names” to our trans comrades’’ struggle against being misidentified by “dead names”: asserting one’s own identity instead of being named by power is an important terrain of struggle.

So, then, what might it mean if an artist or celebrity changed their name to one that more closely identifies with power itself? What might it mean if one were to orient oneself, through their own naming, in closer proximity to whiteness – to assume a name that may very well be the ne plus ultra of whiteness itself? What would it mean if Assata Shakur decided she wanted to be called “Becky?” What does it mean if Jennifer Caban draped herself in gothic whiteness, stole other people’s art and stories and rebranded herself with a name unmistakable in its own white blandness?

Now, close your eyes and repeat after me: “Molly Crabapple.”

I’m done being trolled by insincere, whiteness-made Rauschenbergs and Crabapples. I want something real, directly from people who don’t need whiteness as authority, whitewashers, sanitizers and those who will labor to make their own friends respectable, even if they are actual fucking Nazis, as intermediaries. We can’t go back to 1951, and frankly, I question anyone who would want to.

Fuck fighting for beauty, or New York’s conception of it – those white women of empire. I want to be in solidarity with what whiteness says is ugly. I’m not trolling Molly Crabapple, and I don’t hate her. I disagree with her politics, her mercenary vision for the world and her near-constant insincerity. Please. She can keep her white paintings.

Update 2

Trolls of a cynical, fascist feather… In her AMA, Crabapple noted:

My art is extremely editorial. No one could look at my bulging insect cops, or my pictures of Weev’s prosecutors, and not know what side I’m on. I try to convey my truth, rather than a party line, but they are deeply subjective.

Well… US Government propaganda tool and otherwise state-sponsored troll@ThinkAgain_DOS, knows exactly what side Crabapple’s art speaks to:

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Crabapple, of course, feigned surprise:

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It’s probably a good time for your people (whoever they are) to collect you.

Update 1

As if on cue, Molly Crabapple’s “most cynical,” “most opportunistic” auteur persona reemerged today. Crabapple –who, like Robert Rauschenberg – occupies the rarified, insincere space where blank white canvasses are just “trolling,” published a middling, wanna-be “ACAB” article at Vice today (which I have dutifully archived to limit her clicks, here). After plodding through the inextricable viciousness of the police institution, name-dropping her pals and actually interviewing a prison abolitionist, Crabapple concludes her otherwise superfluous piece with a bit of fascist whimsy:

Or here’s another, if somewhat facetious, idea: America is vengeful and loves punishment, so why not create a police force whose sole job is to arrest the police?
These meta-cops could be given quotas of officers to arrest each month. They’d no doubt lean heavily on quality of life violations, arresting cops who made communities unpleasant by groping black teens or hassling street vendors. As cops do now, these meta-cops could be promoted based on their arrest numbers. They might sometimes detain cops for rudeness, or failing to present ID, but that’s to be expected. Their jobs would be stressful. They’d have to lay down the law.

I don’t know any revolutionaries who think the creation of an über-cop is worth even “facetious” consideration. Also: the Feds already exist. Again: Keep your white paintings, Molly.

CONFORMITY IS UNITY [DOWNLOAD the POSTER]

September 26, 2014

 

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Poster courtesy of Mark Gould

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Two Minute Hate

A Culture of Imbeciles

 

In George Orwell’s novel 1984, he writes about a future dystopia, where ubiquitous government-controlled telescreens pump propaganda into every home and office. One of the daily programs that was required viewing in this dystopia was the Two Minute Hate, where fictitious evil monsters are demonized on screen, and viewing audiences participate in mandatory rants to exhibit their social conformity.

Fast forward thirty years to 2014, and the Two Minute Hate — thanks to social media — has become a 24/7 toxic wasteland, where any idiot with an opinion can join others in ganging up on thoughtful writers, or in echoing propaganda absorbed from NGOs functioning as fronts for Wall Street and the Pentagon. Having established these mind control operatives of the non-profit industrial complex for the purpose of social engineering, the American aristocracy can with the push of a button mobilize swarms of social media imbeciles in support of war, environmental destruction, or racism–all in the name of humanity.

In her article Syria: Avaaz, Purpose & the Art of Selling Hate for Empire, Cory Morningstar examines how one of the most powerful NGOs on the planet — using the social media equivalent of the Two Minute Hate — herds mindless consumers to rally behind crimes against humanity. With its specialized teams devoted to capitalist imperialism, privatization, and ecological exploitation, Avaaz (also a main organizer of the climate week charades in New York) and its PR partner Purpose are arguably the ultimate psywar combination of all time. As Wall Street creations, they have managed to co-opt 350 and many pseudo activists claiming to be promoters of civil and human rights.

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The June, 2012, Avaaz “Good Versus Evil” campaign for the Rio Summit. Above: A downloadable poster as found on the Avaaz Press Centre published in the Financial Times. Vilification: Note the dark cast/ugly sky behind the leaders Avaaz would wish you to believe are “evil,” versus the light and sun shining through over the Imperialist, obstructionist “leaders” that Avaaz is attempting to convince you are “good.”

[Source: SYRIA: Avaaz, Purpose & the Art of Selling Hate for Empire]

 

SYRIA: Avaaz, Purpose & the Art of Selling Hate for Empire

September 17, 2014

by Cory Morningstar

 

 “The Ivy League bourgeoisie who sit at the helm of the non-profit industrial complex will one day be known simply as charismatic architects of death. Funded by the ruling class oligarchy, the role they serve for their funders is not unlike that of corporate media. Yet, it appears that global society is paralyzed in a collective hypnosis – rejecting universal social interests, thus rejecting reason, to instead fall in line with the position of the powerful minority that has seized control, a minority that systematically favours corporate interests.” — From the article Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part I, Section I, Sept 10, 2012

The organization Avaaz was instrumental in building public approval for the No Fly Zone for the illegal invasion of Libya in 2011. The NATO-led destabilization/illegal war in Libya resulted in the annihilation of a formerly sovereign country that has since descended into brutal chaos. Tens upon thousands of Libyans died and the most savage ethnic cleansing that the mind can imagine has been widespread. The destruction of Libya has been nothing less than a full-scale bloodbath.

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Above image from the Avaaz website: “Libya No-Fly Zone: As Libyan government jets drop bombs on the civilian population, the UN Security Council will decide in 48 hours whether to impose a no-fly zone to keep Qaddafi’s warplanes on the ground.” [Emphasis in original] [Further discussion of the flag within this Avaaz image can be read in the epilogue.]

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Above image: Avaaz takes credit for the implementation of the Libya No Fly Zone. [Further Reading: Did Libya’s Citizens Demand Foreign Intervention?” A ridiculous question, yet according to Avaaz, the answer is yes.]

When Avaaz rolled out the same rinse, lather and repeat campaign for the seizing of Syria, the public did not fall prey as easily. The campaign failed. Below are three separate links to the Avaaz campaign calling for a no-fly zone over Syria.

http://www.avaaz.org/en/syria_the_last_straw_a/ (June 4, 2013) (Avaaz utilizing the “chemical attack” that has since been discredited.)

Avaaz Syria NoFlyZone

https://secure.avaaz.org/en/syria_the_last_straw_0/ (June 14, 2013) (Avaaz alleges a “rape crisis” committed by soldiers of the Syrian army – the same tactic used to incite hatred against Libyan leader Muammar Gaddafi that was later discredited.)

Avaaz NoFlyZone Syria

http://web.archive.org/web/20130825092136/https://secure.avaaz.org/en/syria_no_fly_zone/ (Again, utilizing the “chemical attack” that has since been discredited)

AvaazSyriaScreenshot

 

Of the Avaaz campaigns pressing for a no-fly zone (air strikes) over Syria that flourished in June of 2013, at least two employed the use of chemical weapons to incite fear and hatred toward the Assad government. It does not take much stretch of the imagination to consider Avaaz had inside knowledge of the upcoming chemical attack that would take place in outer Damascus approximately 10 weeks later. Considering Avaaz co-founder Tom Perriello’s connection to the Obama administration and its well known war criminals, it is entirely plausible that Avaaz was churning out propaganda that would lead up to and sensationalize a false flag attack.

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Photo: Avaaz co-founder and Congressman Tom Perriello with war criminal, General David Petraeus (far left). Under this Flickr photo the caption reads: “Passing the Baton, United States Institute of Peace” [2009] [Photo: Jon-Phillip Sheridan | Source] [In July, 2011, “General David Petraeus was approved as CIA Director by both the Senate Intelligence Committee and then the full Senate, whose vote was an astounding 94-0, astounding because this is a man who was deeply implicated in war crimes, including torture.” Source] [Welcome to the Brave New World – Brought to You by Avaaz, Sept 13, 2013]

The August 30, 2013 article “On the Eve of an Illegal Attack on Syria, Avaaz/350.org Board Members Beat the Drums of War” documents Avaaz links imploring a no-fly zone on Syria – both public links have since been removed. The article also featured 350.org board member Van Jones calling for air strikes on Syria. (Adding twisted irony, Van Jones also serves as co-founder and executive director of the Ella Baker Center for Human Rights. The co-opting of deceased civil rights revolutionaries to advance the goals of hegemony has become common practice within these foundation-financed projects.)

Screenshots of an email from co-founder of Avaaz, Ricken Patel to Avaaz subscribers dated August 27, 2014 can be found here (1) and here (2). The email from Patel represented a last-ditch effort to garner support for a no-fly zone as the US prepared to launch an attack on Syria.

One year earlier, in 2012 Avaaz was allegedly sponsoring fabricated videos of civilian massacres, to back deeper foreign intervention in Syria. Fact-checking and videos appear to collaborate these claims.

Jump forward to 2014.

In the September 8, 2014 article Pentagon Planning Points to Possible Anti-Syria US Military Campaign, author Stephen Gowans observes:

“Now, it appears that Washington is on the cusp of pressing ahead with its planned campaign of military action. The New York Times has reported that ‘Pentagon planners envision a military campaign’ to destroy ISIS ‘in its sanctuary inside Syria’ that could last ‘at least 36 months.’ According to The Wall Street Journal, airstrikes would support anti-Assad fighters unaligned with ISIS, who would be bankrolled by $500 million in US funding, and backed by a global coalition, including the UK and Australia, that would ‘provide a range of assistance, including humanitarian aid and weapons.’ These countries could also join the United States in an air-war over Syria.”

It should not be considered a coincidence that at the same time, a polished, sophisticated and highly financed “Save Syria” campaign is being created in the board rooms of the Empire’s favourite Harvard boys.

Where, under the organization Avaaz, the public hasn’t acquiesced to an air strike on Syria, the New York public relations firm Purpose Inc. has stepped in.

Purpose is a for-profit enterprise that is marketed to appear like a non-profit. Their area of expertise is behavioural change.

 “[Purpose] has a non-profit arm, which incubates protests and accepts donations. This is cross-subsidised by its for-profit arm, which makes money in a variety of ways. It sells consulting services to big companies such as Google and Audi, and to charities such as the Bill & Melinda Gates Foundation and the American Civil Liberties Union.” – The Economist

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GetUp, Avaaz and Purpose co-founder Jeremy Heimans, 2010.

Purpose Inc.: The Crème de la Crème Agents of Behavioural Change

Purpose  | Avaaz Co-Founders

Vision: “Purpose is a global initiative that draws on leading technologies, political organizing and behavioral economics to build powerful, tech-savvy movements that can transform culture and influence policy.”

Avaaz and GetUp co-founders Jeremy Heimans (CEO) and David Madden [2] are also founders of the New York consulting firm, Purpose Inc.

Avaaz was created in part by MoveOn, a Democratic Party associated Political Action Committee (or PAC), formed in response to the impeachment of President Clinton. Avaaz and MoveOn are funded in part by convicted inside-trader and billionaire hedge fund mogul, George Soros.

Avaaz co-founder James Slezak is also identified as a co-founder and CEO of Purpose at its inception in 2009.

The secret behind the success of both Avaaz and Purpose is their reliance upon and expertise in behavioural change.

While the behavioural change tactics used by Avaaz are on public display, double-breasted, for-profit Purpose, with its non-profit arm, sells their expertise behind the scenes to further the interest of hegemony and capital. Whether it be a glossy campaign to help facilitate yet another illegal “humanitarian intervention” led by aggressive U.S. militarism (an oxymoron if there ever was one), or the creation of a new global “green” economy, Purpose is the consulting firm that the wolves of Wall Street and oligarchs alike depend upon to make it happen.

Make no mistake, the Yale (for example, Avaaz co-founder and former U.S. Representative *Tom Perriello) and Harvard graduates that comprise the “Avaaz boys” (many having been groomed by McKinsey and Company) are considered “the dream team” by the globe’s most powerful capitalists, including those at the United Nations and the World Bank. Avaaz co-founder Andrea Madden works for the World Bank in Burma [Myanmar]. Her husband is Avaaz co-founder David Madden who has taken up residence in Burma. [March 23, 2013: Western Media Celebrates Faux Progress in Myanmar] Madden has co-founded a marketing firm, Parami Road in Myanmar: “Our clients are mostly international companies entering Myanmar and they demand an international standard of work.”

“After years of isolation, Myanmar is opening up. Opportunities abound. However international companies have little experience here and local firms have little experience working with them. Parami Road meets this need.” – Parami website

Another key co-founder of Avaaz is none other than pro-war, pro-Israel, U.S. Democrat Tom Perriello, former U.S. Representative (represented the 5th District of Virginia from 2008 to 2010) and founding member of the House Majority Leader’s National Security Working Group. As demonstrated in the 2012 investigative report on Avaaz, Perriello’s curriculum vitae, built upon privilege within elite circles, is quite extensive.

[*Full profile on Avaaz co-founder Tom Perriello: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part II, Section I [Link]

The former Managing Director of Partnerships for “Purpose” is Marilia Bezerra. From 2006 to 2011 Bezerra held an integral position within the Clinton Global Initiative (CGI) executive leadership. As Clinton Global Initiative director of commitments, Bezerra led the redesign of member engagement and commitments services into a year-round operation. From 2007 to 2008, Bezerra held the position of sponsorship manager of the Clinton Global Initiative where she directly managed five major sponsorship accounts, including Bill and Melinda Gates Foundation and Procter & Gamble, valued at over $2 million dollars. From 2006 to 2008, Bezerra held the position of Commitment Development Senior Manager for the Clinton Global Initiative. In 2009, Bezerra was Deputy Director of Commitments for the Clinton Global Initiative.

One should note that in the case of many NGOs, on 990 tax forms it appears as though those at the helm are paid minimally, if at all. Rather than salaries, many founders of institutions make immense fees via consulting services where their names are not identified on 990 forms. In the case of Avaaz, co-founder Ricken Patel does take a salary (approx. $190,000.00 per year) plus consulting fees. Consulting fees must be considered the bread and butter of many “progressives” whose incomes rival CEOs of multinational corporations. The salaries and incomes are incredible when one accounts for the fact that many NGOs, such as Avaaz, rake in millions of dollars in donations from well-intentioned and hard-working citizens who are at or below the poverty line.

[Full profile of Ricken Patel: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part II, Section I [Link]

Purpose Inc. (with its co-founders) is a favourite of high-finance websites such as The Economist and Forbes and sells its consulting services and branding/marketing campaigns to Google, Audi, the American Civil Liberties Union (ACLU), The Bill and Melinda Gates Foundation and many others that comprise the world’s most powerful corporations and institutions. In 2012, it raised $3m from investors. “Ford Foundation, which has given Purpose’s non-profit arm a grant, reckons it is shaping up to be “one of the blue-chip social organisations of the future.” [Source] Purpose, like many other foundations, such as Rockefeller (who initially incubated 1Sky which merged with 350.org in 2011), also serves as an “incubator of social movements.” [Further reading on Purpose]

Heimans, the Avaaz front man of Purpose, is a darling of the high-finance corporate world. “In 2011, Jeremy received the Ford Foundation’s 75th anniversary Visionaries Award. The World Economic Forum at Davos has named him a Young Global Leader, and the World e-Government Forum has named Jeremy and Purpose co-founder David Madden among the “Top 10 People Who Are Changing the World of the Internet and Politics.” [Source]

The New York public relations firm Purpose has created at least four anti-Assad NGOs/campaigns: The White Helmets, Free Syrian Voices [3], The Syria Campaign [4] and March Campaign #withSyria.

“Who are we? Three years after the peaceful uprising in Syria, politicians and the media have largely forgotten what the UN calls ‘the greatest humanitarian tragedy of our time.’ But we haven’t.” — Front page of “The Syria Campaign” and the “White Helmets / Syrian Civil Defence” website

The March Campaign #withSyria | Over 130 Partners

Bansky WithSyria2

Purpose’s March campaign #withSyria website (which doubles as a hash tag for Twitter) partners include: Open Society Foundation (George Soros), Amnesty International, Christian Aid, Care, Friends of the Earth, Oxfam and many more of the largest “humanitarian” NGOs within the non-profit industrial complex which makes up a billion dollar industry. [Full list of partners: http://marchcampaign.withsyria.com/partners0]. Utilizing the consumer culture’s celebrity fetish to sell war (and the illusory “green economy“) is a vital marketing strategy of Purpose. In the case of #withSyria, famed street artist Banksy has reworked his “Young Girl” famed graffiti stencil in support of the campaign. On the main page of this website the behavioural change strategists at Purpose promote a slick, emotive video of a white child (in America) slowly becoming traumatized by the violence in Syria. No doubt, Purpose’s marketing executives have taken this avenue because they know that the majority of Euro-Americans with privilege simply are not moved by images of suffering children that are non-Caucasian. Non-White children being slaughtered by imperial states became normalized for most Euro-American citizens long ago.

WithSyriaHashtag PURPOSE CROPPED

And of course corporate media is not far away to promote the cries for war peace. Consider today, on September 17, 2014, ABC “reports“:

“What if we could reverse the explosion of a bomb? A group of 130 organizations from around the world, known collectively as the ‘With Syria’ campaign, released a video Wednesday that shows just what that would look like. The campaign hopes to bring attention to the violence in Syria. (video) Warning: Contains disturbing imagery. In the video, the act of a bomb exploding near children playing is reversed: The blood returns to their heads, the children stand back up, run in reverse and continue the game they were playing. A message says, ‘We can’t reverse what’s happened in Syria, but we can change how the story ends.'”

Indeed Purpose is being paid to bring about the ending that the elites have hired them to ensure.

“Even more impressive than her military, America has built the most sophisticated propaganda machinery the planet has ever seen.” – Garikai Chengu

Free Syrian Voices partners include Amnesty International, the Euro-Mediterranean Human Rights Network, FIDH, Front Line Defenders, Human Rights Watch, Reporters Without Borders and “other international, regional and Syrian organizations” – which conveniently go unnamed.

Such emotionally charged campaigns are critical tools for empire. They have become critical (and successful) in building the acquiescence required for “humanitarian interventions” (aka regime change with extensive “collateral damage” thrown in for good measure).

“In the IC Magazine publication Communications in Conflict, is noted a new form of psychological warfare termed ‘false hope.’ False hope, as a tool for subverting social movements, is unparalleled in its effectiveness. What once was crudely accomplished through political repression, censorship, educational indoctrination and misleading propaganda, is now supplemented, if not surpassed, through vertical integration of the non-profit industrial complex. Where Wall Street once had to rely on threats and bribery to intimidate or corrupt social movements, it now has a vast army of neoliberal foundations, non-governmental organizations (NGOs) and social media at its disposal.” — Jay Taber, False Hope, September 6, 2014

It is important to note that Purpose is a for-profit business strategically presented as though it is a non-profit (similar to the Change.org petition site). This begs the question of who is financing the Syrian campaigns. The fact that a group of wealthy elites from Harvard living privileged lifestyles in New York City (and abroad) decide, via glossy marketing campaigns, who will live or die on the other side of the world is the ultimate representation of whitism and racism – an egregious affront to people everywhere. [Further reading on Purpose]

“If there is any doubt concerning the nefarious undertones of subversiveness in these NGO dealings, [National Endowment for Democracy] NED founder reportedly said the following in the 1990s: ‘A lot of what we do today was done covertly 25 years ago by the CIA.’ What was once done at night under the cloak of ‘imperialism’ is now done during the day under the guise of ‘humanitarianism.'” WKOG 30-point Primer

The many facets of Purpose:

1) Purpose (tax identification number 68-0607622) is a for-profit certified B-corporation “that uses an innovative model to pool some of the world’s leading experts and practitioners in order to fund, launch and accelerate the growth of new social movement organizations.”

2) Purpose Action (tax identification number 45-2451509), the non-profit arm of Purpose, is a 501(c)(4) nonprofit advocacy organization “focused on changing policy.” Purpose Action Board of Directors includes Brett Solomon, executive director of Access, former campaigns director at Avaaz, former executive director of GetUp! [5]

3) Purpose Foundation (tax identification number 27-3106760) is a 501(c)(3) charitable organization “focused on education and changing culture.” [6]

4) Purpose Campaign (tax identification number 68-0607622) “Develops social and consumer movements.”

US Military Utilize NGOs to Induce Pacification & Advance Western Ideologies on Iraqi Citizens

The video below captures highlights from the 2004 Princeton Colloquium on Public and International Affairs and should that be at the Woodrow Wilson School of Public and International Affairs – The Role of NGOs in Global Governance and Society. Attention to the title is key: “NON-governmental organizations in global GOVERNANCE.” [Note the use of the term “guerrilla” (4:13) in describing any citizen/person resisting the occupation/assault by US military on Iraq soil.] Since the filming of this video, accelerating regime change operations are being conducted by Western militaries, hand in hand with Western NGOs throughout the globe. [See more: http://www.interventionism.info/en/Re…]. In essence, NGOs have become an indispensable instrument of destabilization and regime change for imperial states and hegemonic interests. NGOs also serve as the primary agents to implant neoliberal policies and western ideologies in targeted states to advance and protect the interests of the NGOs’ funders.

 

The Hate Campaign

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The June, 2012, Avaaz “Good Versus Evil” campaign for the Rio Summit. Above: A downloadable poster as found on the Avaaz Press Centre published in the Financial Times. Vilification: Note the dark cast/ugly sky behind the leaders Avaaz would wish you to believe are “evil,” versus the light and sun shining through over the Imperialist, obstructionist “leaders” that Avaaz is attempting to convince you are “good.”

 

 “‘You have to investigate the supply of hatred,’ Glaeser continues. ‘Who has the incentive and the ability to induce group hatred? This pushes us toward the crux of the model: politicians or anyone else will supply hatred when hatred is a complement to their policies.'” — The Behavioural Economics of Hatred

 

Heiman’s work been recognized in publications like The New York Times and The Economist. In The Economist, Heiman states he chose his career path when “in 2001, a college student named Eli Pariser created an online petition calling for a multilateral response to the ‘9/11 terrorist attacks.'” Over a decade on, with civilian deaths that amount to millions, I’m sure the Iraqis are most grateful. It must be noted that Eli Pariser, too, is a co-founder of Avaaz and Co-Founder and Executive Director of MoveOn.org (Avaaz founder) PAC.

The Syria Campaign Facebook PURPOSE Screenshot

Above: The Syria Campaign, Non-profit Organization, created by Purpose, launched March 7, 2014.

 

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“We were afraid the regime would fire another rocket, as they always come back to the area of attack when people come to rescue to bomb them, so we started evacuating people in a hurry so no more lives would be lost. This picture was taken then! That boy holding my neck like that was one of the moments in which I knew why I am a civil defender!” — Purpose Inc. Marketing Firm

Purpose Inc. strategically employs images, carefully worded text and slick video that provoke intense emotion. Key language includes children, refugees, regime, and their work “in the most dangerous place in the world.”

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 “A year ago today, the Syrian government used Sarin gas against its own people killing over a thousand, many of them children. The world was outraged and demanded Assad destroy his stockpile of chemical weapons. Today chlorine gas is still being used on civilian neighbourhoods, rolled out the back of helicopters in rusty ‘barrel bombs.’” — Purpose Inc. Marketing Firm, Image by Designer : FaDi zyada whose work is also featured on the Heinrich Von Arabien Foundation website. This same website features an absurd photo of Syrians holding up a poster that features a “thumbs up” illustration for USA and the UN.

[***Reference list for deconstructing the myth that Syrian army + “dictator” used chemical weapons in August 2013 by Susan Dirgham: http://australiansforreconciliationinsyria.org/reference-list-chemical-attack-in-damascus-august-2013/]

Exploiting the death of Syrian children to provoke air strikes and military aggression demonstrates that such agencies go to any extreme to further American foreign policy. Note that the very carnage described above: “killing over a thousand, many of them children” is par for the course for the U.S. military, which carries out such atrocities on innocent civilians, including children, on a daily basis, all over the world. But don’t expect an Avaaz or Purpose campaign against the Obama Regime any time soon. They will be too busy under the guise of their NGO MoveOn, working on his re-election.

The following quote represents the real purpose of Purpose:

The media may have turned away from what’s unfolding daily in Syria but today we all have the tools to tell the world the truth. Please share widely and remember the children of Syria in your thoughts today.”

The lapdog media have not turned away, but much of the public has. It’s the job of Purpose to employ netwar methods (“a form of low intensity conflict, crime, and activism waged by actors using social networking services” according to Wikipedia) on the public (targeting Euro-Americans) that will instill hatred toward the democratically elected Bashar al-Assad.

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“It’s past time for President Obama to present a plan for dealing with the humanitarian crisis in Syria.” — Purpose Inc. Marketing Firm

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“Today we remember the more than 1,300 who lost their lives in the Ghouta chemical weapons attacks. Let’s also remember those +150,000 who face torture and death while being detained.” — Purpose Inc. Marketing Firm

Let’s not mention Guantanamo Bay, Abu Ghraib and a mile long list of the Obama administration’s involvement in torture, shall we? Syria certainly demonstrates that the first casualty of war (in this case a destabilization effort) is truth. The following excerpt is from the article Foley & Sotloff’s Reporting Show Why the US Should Stop Its Proxy War on Syria, which lays bare that “both journalists documented the reality of Free Syria Army”:

“While in Turkey Sotloff broadcast news of Syrian rebels being found and arrested with chemical weapon Sarin gas.  He used Twitter to send out the Turkish news report.  That was in May, three months before the August 21 2013 chemical weapons deaths in outer Damascus. The Syrian rebels were arrested by Turkish police but quickly released, giving evidence to claims of Turkish government support for Nusra. Sotloff was puzzled why the mainstream media was not giving this event coverage.”

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“This Thursday marks the one year anniversary of the chemical weapons attack that took the lives of over 1,000 Syrians. Since then tens of thousands more have been killed by different methods. Starvation is one. But the international media and world leaders still haven’t come together to put an end to it.” — Purpose Inc. Marketing Firm

Above image: Another call for “world leaders” to “come together to put an end to it.” Yet while Purpose may cry crocodile tears over the starvation of Syrians, Avaaz has asked for tough sanctions against Syria. Purpose and Avaaz want to “have their cake and eat it too” – while Syrian lives are destroyed by the oligarchs that both Purpose and Avaaz serve.

http://www.avaaz.org/en/syria_end_the_terror/

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The High Gloss Veneer

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The following video highlights human rights investigator and award-winning journalist, Keith Harmon Snow, detailing the corrupt NGOs and their portrayal of Africa in order to illicit funds. Snow must be considered one of our finest Western reporters for obtaining true independent, grassroots news from the continent of Africa. Within the lecture, Snow discusses the psyops/propaganda strategically orchestrated behind the “Save Darfur” campaigns/movements which, in 2004, began to saturate the populace. At the helm of this “movement” was “The Center for American Progress.”

The Center for American Progress is closely connected with the same players that founded and financed Avaaz. Today, with Avaaz at the forefront, the non-profit industrial complex has been appointed trusted messenger of a grotesque and disturbing ideology; nothing less than a complete reflection and validation of the U.S. administration’s rhetoric intended to justify the annihilation and occupation of sovereign states under the false pretense of “humanitarian intervention” and “responsibility to protect.” [7]

 

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The Syrian government has been dropping ‘barrel bombs’ on civilian areas despite a UN order to stop, targeting schools and hospitals. Those too poor to flee their homes can only hope that if the bomb drops, the White Helmets will be there to help get them out.… Let’s tell the world about the White Helmets and help get them the support they need.” — Purpose Inc. Marketing Firm

“Know multiple languages? We need you! Help us get as many eyeballs on the Miracle Baby video by translating the subtitles into as many languages possible here: http://bit.ly/1tKSmrz” — Purpose Inc. Marketing Firm

Firms and agencies such as Purpose write and develop the scripts and design the sets. They bring the stories to life, strategically exploit and manipulate our emotions, ultimately ensuring we come to accept and partake in their politically acceptable means of discourse – discourse sanctioned (and financed) by the empire.

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“Syrians welcome Iraq’s Yazidi refugees into their country with warm meals, giving them their clothes and in some cases opening up their homes.” – Purpose Inc. Marketing Firm

The above quote is representative of perhaps one too many spin doctors, for who is allowing Iraq’s Yazidi refugees into Syria, if not the Assad government? Indeed, Assad’s government has accepted more refugees per capita than any other country in the Middle East.

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“In the wake of Robin Williams’ death, the people of Idlib remember the actor/comedian with a quote on freedom.” — Purpose Inc. Marketing Firm

This image takes absurdity to a new level. Recap: In the midst of being bombed, starved, and rained on by chemical weapons, Syrians take time to pay homage to an American actor/comedian (because the love of the America that is destroying the Middle East is so great), by quoting a line from a genie in a bottle from a scene in an animated Disney movie and creating a banner in the English language.

 

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“Understand what this infographic says, and you’ll understand why The Syria Campaign exists. And why you and your friends need to join. http://bit.ly/VlYOsi” — Purpose Inc. Marketing Firm

In the infographic above, Purpose deliberately keeps the stats limited to 2014. Otherwise they would have to visualize the millions of Iraqi citizens who have been murdered due to the U.S. illegal war and occupation in Iraq. Further, Purpose gives no attention to the deaths in Ukraine, Honduras, Libya, Haiti, Congo (millions) and all of the other countries being decimated by Imperialism and foreign interference.

 

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“Tell Obama we need a plan set forth to address the worsening humanitarian crisis in Syria. bit.ly/1nITTtO” — Purpose Inc. Marketing Firm

The message is clear. Purpose wants the green light for military intervention in Syria, well-cloaked under the guise of humanitarianism – an oxymoron if there ever was one.

“How were you to know you were approving posts from one of the world’s most violent dictators? A man who’s ordered the dropping of bombs on hospitals and primary schools?” — Purpose Inc. Marketing Firm

“Syrian dictator Bashar Assad has been re-elected and he can thank Facebook for being a propaganda platform.” — Purpose Inc. Marketing Firm

“It is critical to note that the imperialist powers (inclusive of the UN) do not criticize or demonize or withdraw their support from such leaders on any ethical or moral ground. Denunciation of state leaders and emotive language is merely theatre. Rather, the imperialist states strategically set out to destroy any state leader that is unwilling to be controlled by US interests and foreign policy. A case in point is unwavering support of the Saudi royal family responsible for atrocious human rights violations to which the imperialist countries turn a blind eye.” (from Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part I, Section I)

 

The Behavioural Change Dream Team:

·         Full profile of Jeremy Heimans: Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part II, Section II [link]

·         Full profile of David Madden: Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part II, Section II [link]

·         Full profile of James Slezak: Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part II, Section III [link]

Further reading on behavioural change: Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part II, Section II [link]

Further reading on Avaaz and Purpose: This Changes Nothing. Why the People’s Climate March Guarantees Climate Catastrophe

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Epilogue

Consider that the colour of the national flag of the Libyan Jamahiriya (from 1977 to 2011; The Great Socialist People’s Libyan Arab Jamahiriya) was pure green in colour. Unlike the one featured in the Avaaz campaign. The green colour traditionally symbolizes Islam. In Libya, green was also a colour traditionally used to represent the Tripolitania region (commonly referred to as Tripoli) that NATO forces fought to seize. The iconic green flag was chosen by Libyan leader/brother Muammar Gaddafi to symbolize his political philosophy (after his revolutionary Green Book). On 10 March 2011, France was the first state to recognize the council as the official government of Libya, as well as the first to allow the Libyan embassy staff to raise the red, black, green and white flag that would replace the green flag of the Libyan Jamahiriya. On 21 March, the “new” flag was flown by the Permanent Mission of Libya to the United Nations and appeared on their official website … this flag, which reigned prior to the Libyan Jamahiriya, is now the only flag used by the United Nations to represent Libya. According to the following UN statement: “Following the adoption by the General Assembly of resolution 66/1, the Permanent Mission of Libya to the United Nations formally notified the United Nations of a Declaration by the National Transitional Council of 3 August 2011 changing the official name of the Libyan Arab Jamahiriya to “Libya” as well as a decision to change Libya’s national flag to the original.” [Wikipedia]

On August 24, 2011 it is reported by yet another mouthpiece for empire that:

As Libyan rebels take over, embassies worldwide have been replacing the old Libyan flag with a new one…. But starting in February, a new flag – red, black, and green with a white star and crescent in the center – has been hoisted at Libyan embassies around the world, from Switzerland to Bangladesh. It is the same flag being flown by the jubilant rebels themselves as they descend on Tripoli.”

In the article, the words “U.S. funded mercenaries” have been replaced with “the jubilant rebels.” It would be well worth investigating who ordered, manufactured and paid for thousands of these new flags (prior to or commencing in February of 2011) and ensured they would replace the national flag of the Libyan Jamahiriya that flourished from 1977 to 2011.

 

Further Reading:

 

·         The Grotesque and Disturbing Ideology at the Helm of Avaaz, March 7, 2012

·         Sostenere il governo USA senza saperlo: il grave esempio di “Avaaz,” March 8, 2012

·         SPEAKING TRUTH: A Profound Message to Avaaz from Poet Gabriel Impaglione of Argentina, March 12, 2012

·         Argentine Journalist Stella Calloni Denounces Avaaz | Latin American Unions Follow Her Lead, March 12, 2012

·         Avaaz: Empire Propaganda Mill Masquerading as Grassroots Activism, June 9, 2012

·         Avaaz’s War on Syria: Soros Sponsored Sorrow Pleads for Foreign Intervention, June 14, 2012

·         Rio Summit “Good Versus Evil” Advert Displays Blatant Racism and Imperialism at Core of Avaaz, June 22, 2012

·         Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part I, Section I, Sept 24, 2012

·         Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part I, Section II, Sept 24, 2012

·         Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part I, Section III, Sept 24, 2012

·         Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part II, Section I, Sept 24, 2012

·         Avaaz: Imperialist Pimps of Militarism, Protectors of the Oligarchy, Trusted Facilitators of War | Part II, Section II, Nov 1, 2012

·         Welcome to the Brave New World – Brought to You by Avaaz, Sept 13, 2013

 

Endnotes:

[1] Jeremy Heimans on Twitter: https://twitter.com/jeremyheimans

[2] David Madden on Twitter: https://twitter.com/davidmadden

[3] Job Detail for Social Media Intern, Syrian Voices Movement Job Location: Purpose Inc, New York, NY, 10176: http://jobs.climber.com/jobs/Media-Communication/New-York-NY-10176/Social-Media-Intern-Syrian-Voices-Movement/55687863

[4] Purpose is hiring: Join the Syria Campaign: http://www.purpose.com/were-staffing-up-on-the-syria-campaign/]

[5] Purpose Action Board of Directors: Jon Huggett, founding chair of Social Innovation Exchange, former partner at The Bridgespan Group and Bain & Company; Rashad Robinson, executive director of ColorOfChange.org and former senior director of media programs at GLAAD; Brett Solomon, executive director of Access, former campaigns director at Avaaz, former executive director of GetUp!; Douglas Atkin, director of community at Airbnb, former chief community officer of Meetup, author of The Culting of Brands; Andre Banks, executive director of Purpose Foundation, former strategy director at Purpose and former deputy director of ColorOfChange.org; Jeremy Heimans, co-founder & CEO of Purpose, co-founder of Avaaz and co-founder of GetUp! [Source]

[6] Purpose Foundation Board of Directors: Carla Sutherland, research scholar at Columbia University’s Gender and Sexuality Law Center’s Engaging Tradition Project, former program officer at Ford Foundation and Arcus Foundation; Jeremy Heimans, co-founder & CEO of Purpose, co-founder of Avaaz and co-founder of GetUp!; Michael Evans, president of Moynihan Station Development Corporation and former chief of staff to the Lieutenant Governor of New York State. [Source]| Purpose Foundation’s organizational documents and annual reports on Form 990 can be found here.

[7] December 29, 2004: “Over two days in early December approximately three-dozen religious activists met at the Washington office of the Center for American Progress, a recently formed think tank headed by former Clinton chief of staff John Podesta. The Res Publica-driven agenda for the closed-door gathering included sessions on “building the movement infrastructure” and “objectives, strategies and core issues.” Res Publica was founded by Tom Perriello, Ricken Patel and Tom Pravda. Avaaz was founded by Res Publica, MoveOn.org, Executive Director Ricken Patel, Tom Perriello, Tom Pravda, Eli Pariser (MoveOn Executive Director), Andrea Woodhouse (consultant to the World Bank) Jeremy Heimans (co-founder of GetUp! and Purpose), and Australian entrepreneur David Madden (co-founder of GetUp and Purpose). Avaaz co-founder Tom Perriello is now President and CEO of Center for American Progress. Perriello and Patel also co-founded and co-directed DarfurGenocide.org which officially launched in 2004. “DarfurGenocide.org is a project of Res Publica, a group of public sector professionals dedicated to promoting good governance and virtuous civic cultures.” Today, this organization is now known as “Darfurian Voices”: “Darfurian Voices is a project of 24 Hours for Darfur.” The U.S. Department of State and the Open Society Institute were just two of the organizations funders and collaborating partners. Other Darfurian Voices partners include Avaaz, the National Endowment for Democracy (NED), International Centre for Transitional Justice, Darfur Rehabilitation Project, Humanity United, Darfur People’s Association of New York, Genocide Intervention, Witness, Yale Law School, The Sigrid Rausing Trust and the Bridgeway Foundation. Despite the carefully crafted language and images that tug at your emotions, such NGOs were created for and exist for one primary purpose — to protect and further American policy and interests, under the guise of philanthropy and humanitarianism. Of all the listed partners of DarfurGenocide.org, with exception of one located in London England, all of the entities involved are American and based on US soil.

Wag the Dog: Campaigns of Purpose

Public Good Project

Sept 7, 2014

by Jay Taber

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In 1997, Robert De Niro and Barry Levinson produced a movie called Wag the Dog, a fictional film about a Washington-based PR firm — days before a presidential election — “that distracts the electorate from a sex scandal by hiring a Hollywood film producer to construct a fake war with Albania.” The film was released one month before the Monica Lewinsky scandal and the bombing of Sudan by President Clinton.

Some might also recall the false testimony by a Kuwait Royal Family member about Iraqi human rights abuses — part of a campaign created for $11 million by US PR firm Hill & Knowlton on behalf of Citizens for a Free Kuwait (a front for the Kuwait Government) — that was used by the Pentagon to justify the 1991 invasion of Iraq, otherwise known as the Gulf War. As noted at Wikipedia,

Among many other means of influencing U.S. opinion (distributing books on Iraqi atrocities to U.S. soldiers deployed in the region, ‘Free Kuwait’ T-shirts and speakers to college campuses, and dozens of video news releases to television stations), the firm arranged for an appearance before a group of members of the U.S. Congress in which a woman identifying herself as a nurse working in the Kuwait City hospital described Iraqi soldiers pulling babies out of incubators and letting them die on the floor.[88]

The story was an influence in tipping both the public and Congress towards a war with Iraq: six Congressmen said the testimony was enough for them to support military action against Iraq and seven Senators referenced the testimony in debate. The Senate supported the military actions in a 52–47 vote. A year after the war, however, this allegation was revealed to be a fabrication. The woman who had testified was found to be a member of Kuwait’s Royal Family, in fact the daughter of Kuwait’s ambassador to the U.S.[88]

The details of the Hill & Knowlton public relations campaign, including the incubator testimony, were published in John R. MacArthur‘s Second Front: Censorship and Propaganda in the Gulf War (Berkeley, CA: University of CA Press, 1992), and came to wide public attention when an Op-ed by MacArthur was published in The New York Times. This prompted a reexamination by Amnesty International, which had originally promoted an account alleging even greater numbers of babies torn from incubators than the original fake testimony. After finding no evidence to support it, the organization issued a retraction. President Bush then repeated the incubator allegations on television.

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The Pentagon statement claiming a buildup of Iraqi forces on the Kuwaiti border were later also shown to be false, as evidenced by satellite images acquired by the St. Petersburg Times.

This type of choreography was used again in the 2003 invasion of Iraq, known as the Iraq War, when U.S. Secretary of State Colin Powell — waving a vial of fake anthrax and displaying mischaracterized photos — testified before the UN Security Council that the Pentagon had proof weapons of mass destruction were being manufactured by Iraq. Exposure of this fraud in the New York Times by former U.S. Ambassador Joseph C. Wilson led to the leaked identity of CIA agent Valerie Plame (Wilson’s wife) by Vice President Dick Cheney’s chief of staff, I. Lewis Libby.

Libby was subsequently convicted on federal charges of perjury and obstruction of justice. An investigation after the invasion showed Iraq’s WMD program had ended in 1991. Despite all the claims made by Powell being discredited at the time by US and UN agencies, the momentum generated by Powell, Cheney and Defense Secretary Rumsfeld led to a war currently in its eleventh year.

Now, it turns out this scenario has repeated itself in the US campaign leading up to the 2011 bombing of Libya. The western-financed destabilization that became the Syrian Civil War is presently in its fourth year.

In 2014, the New York public relations firm Purpose created a campaign to rally international support for the Syrian “humanitarian intervention.” A euphemism for armed aggression by the US and NATO in places like Libya, this Syrian campaign in 2012 was backed by the New York lobby Avaaz, which in turn set up communications support for the so-called Syrian resistance.

In 2012, Avaaz was allegedly implicated in sponsoring fabricated videos of civilian massacres, to back deeper foreign intervention in Syria. YouTube video links of phony reporting by Avaaz associates are available in this blog report.

The CEO of Purpose, Jeremy Heimans, is a co-founder of Avaaz. His associate, David Madden — a World Bank and UN Development Program consultant — is co-founder of Purpose, Avaaz and MoveOn.

Avaaz was created in part by MoveOn, a Democratic Party associated PAC, formed in response to the impeachment of President Clinton. Avaaz and MoveOn are funded in part by convicted inside-trader and billionaire hedge fund mogul George Soros.

Amnesty International (a shill for US wars) supports the Purpose Syrian campaign.

[“Jay Taber is an associate scholar of the Center for World Indigenous Studies, a contributing editor of Fourth World Journal, and a featured columnist at IC Magazine. Since 1994, he has served as communications director at Public Good Project, a volunteer network of researchers, analysts and activists engaged in defending democracy. As a consultant, he has assisted Indigenous peoples in the European Court of Human Rights and at the United Nations.”]

The Dirty Hand of the National Endowment for Democracy (NED) in Venezuela

Postcards from the Revolution

Wednesday, April 23, 2014

By Eva Golinger

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Anti-government protests in Venezuela that seek regime change have been led by several individuals and organizations with close ties to the US government. Leopoldo Lopez and Maria Corina Machado- two of the public leaders behind the violent protests that started in February – have long histories as collaborators, grantees and agents of Washington. The National Endowment for Democracy “NED” and the US Agency for International Development (USAID) have channeled multi-million dollar funding to Lopez’s political parties Primero Justicia and Voluntad Popular, and Machado’s NGO Sumate and her electoral campaigns.

These Washington agencies have also filtered more than $14 million to opposition groups in Venezuela between 2013 and 2014, including funding for their political campaigns in 2013 and for the current anti-government protests in 2014. This continues the pattern of financing from the US government to anti-Chavez groups in Venezuela since 2001, when millions of dollars were given to organizations from so-called “civil society” to execute a coup d’etat against President Chavez in April 2002. After their failure days later, USAID opened an Office of Transition Initiatives (OTI) in Caracas to, together with the NED, inject more than $100 million in efforts to undermine the Chavez government and reinforce the opposition during the following 8 years.

At the beginning of 2011, after being publically exposed for its grave violations of Venezuelan law and sovereignty, the OTI closed its doors inVenezuela and USAID operations were transferred to its offices in the US. The flow of money to anti-government groups didn’t stop, despite the enactment by Venezuela’s National Assembly of the Law of Political Sovereignty and NationalSelf-Determination at the end of 2010, which outright prohibits foreign funding of political groups in the country. US agencies and the Venezuelan groups that receive their money continue to violate the law with impunity. In the Obama Administration’s Foreign Operations Budgets, between $5-6 million have been included to fund opposition groups in Venezuela through USAID since 2012.

How the West Manufactures “Opposition Movements”

WKOG admin.: Feb 6, 2014. Due to conflicting assessments of the complicated political situation in Thailand, we would like to share with our readers alternative analysis that differ, or are in stark contrast from, the authors assessment in the article below.We welcome your comments.

Dec 3, 2013: THE ROVING EYE, Thai protests turn a darker color, by Pepe Escobar

Feb 5, 2014: Thailand: The People Have Spoken – No Confidence in Regime or Systemby Tony Cartelli

From Egypt, Ukraine, the Turkish-Syrian border, Cuba and Thailand

Counterpunch

FEBRUARY 03, 2014

by ANDRE VLTCHEK

Government buildings are being trashed, ransacked. It is happening in Kiev and Bangkok, and in both cities, the governments appear to be toothless, too scared to intervene.

What is going on? Are popularly elected administrations all over the world becoming irrelevant; as the Western regime creates and then supports thuggish ‘opposition movements’ designed to destabilize any state that stands in the way of its desire to fully control the planet?