As noted at WKOG, the most recent fake news about chemical weapons attacks in Syria recycles the 2015 myth–propagated by the NATO-funded, White Helmets terrorist acting troupe–with ongoing assistance from the Soros-funded NGO, Human Rights Watch.

Before one jumps on the pro-war bipartisan bandwagon, as a reaction to alleged chemical warfare in Syria, one should examine the record of falsehoods created by the humanitarian-military-industrial complex. A good place to start is The Wall Will Fall. The US/UK intervention has been a Wag the Dog show since the outset.

As UK Professor Tim Hayward notes in his op-ed at WKOG, he, like many former Amnesty International supporters, took AI at its word when alleging war crimes and crimes against humanity by the Government of Syria. Reviewing the basis for such claims, Hayward easily discovered that AI had no evidence for them, and in so doing violated its own protocol to “collect evidence with our own staff on the ground,” thus failing to ensure that “every aspect of our data collection is based on corroboration and cross-checking,” as stated by Amnesty International’s Secretary General.

Eva Bartlett and Vanessa Beeley, independent journalists who covered the mainstream media fraud in Syria, shoot holes in the BBC/CNN/FOX promotion of terrorists as heroes.

The creation of discursive monoculture—intended to dominate all discussion of vital issues—is the result of a strategy by the power elite to prevent counter-power narratives from entering mainstream consciousness. Through hostile takeovers of government, media, and the non-profit industrial complex, the financial sector in the last decade has accomplished what official censorship and political repression could not: totalitarian control of social media, and the mobilization of progressives in support of neoliberal fascism.

As I noted in Preventing Discursive Monoculture, the financial sector capture of media, academia, and civil society indicates a future of diminishing consciousness—a future where fantasies about political power enable the murder of Indigenous activists and unembedded journalists with impunity. More recently, in A World of Make Believe, I elaborated on the fact that privatized mass communication now dominates public opinion to such a degree that all public discussion of vital issues is choreographed by PR firms.

In Controlling Consciousness, I observed that the donor elites that set the civil society agenda benefit from Wall Street’s vertical integration of controlling consciousness, allowing them to fabricate news, as well as to integrate advertising with government propaganda. In order to maintain credibility, the non-profit PR firms subservient to the power elite, i.e. Avaaz, need to first establish a noble reputation, often using the tried-and-true method of poverty pimping—an effective and largely undetected tool in the art of social engineering.

As I remarked in R2P: The Theatre of Catastrophe, under the neoliberal model of global conquest, social media marketing agencies like Avaaz, Purpose, and Amnesty International function as stage managers for the power elite in choreographed productions where neoliberal heroism can be enacted. These constructed events–that urge neoliberal military interventions in countries like Mali, Burundi, Libya and Syria—then draw in civil society as participants of moral catastrophe, where they actually become complicit in crimes against humanity.

The ulterior strategy of Avaaz as the ‘Great White Hope’ in other venues, subsequently allowed this social media marketing agency to easily herd so-called progressives to line up behind the neoliberal imperial campaigns in Libya & Syria—where Avaaz literally designed and managed the PR campaign for NATO and the US–in order to present the Al Qaeda affiliate Al Nusra as the good guys in ‘white helmets’. Networked psychological warfare (Netwar) is not hard to grasp; it just isn’t discussed anywhere, making Communication: The Invisible Environment.

In Smart Power & The Human Rights Industrial Complex, Patrick Henningsen reveals ‘perception management’ by the NGO sector as ‘co-marketing’ of foreign policy objectives of the US State Department, Pentagon and NATO. As Henningsen notes, leading human rights organizations—such as Amnesty International and Human Rights Watch—“have become virtual clearinghouses for interventionist propaganda”.

Says Henningsen, in the Balkans, Ukraine, Syria and Yemen—where they supported regime change—“NGOs function as public relations extension to a United Nations western member Security Council bloc, namely the US, UK and France”. To successfully frame geopolitical narratives on which these NGOs derive their fundraising campaigns, the lucrative revolving door between NGOs, government and media “converge to form a highly efficient, functioning alliance”.

Underwritten by some of the world’s leading transnational corporations, these organizations have well-developed links “leading straight into the heart of the military industrial complex”. Blinded by the fog of mass media and bombarded with faux moral imperatives, public opinion is led by these NGOs into supporting western-backed rebels and terrorists “under the banner of ‘human rights’.”